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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Plan
Plans
Leave
Audience
Experience
Stills
Episode
Still
Episodes
Thinking
Satisfying

More quotes by Andrew Davies

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I suppose I have the tastes of someone who teaches at a university in the provinces.
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People like bonnets. I don't think you can under-estimate that.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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The joy of writing drama is putting yourself into different people's heads.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
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People in the BBC are always dying to get out of their open-plan offices.
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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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I always do like to write love stories, even if they end tragically.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
Andrew Davies