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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Ever
Great
Gatsby
Would
Adapting
Love
Gave
Nobody
Anyone
Jobs
Doe

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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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My wife likes history and documentaries, but I'm not so keen on them. I generally go and do some work if there's one of those on.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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Novels often have leisurely openings a TV drama needs an arresting opening.
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People in the BBC are always dying to get out of their open-plan offices.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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The joy of writing drama is putting yourself into different people's heads.
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I always do like to write love stories, even if they end tragically.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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Be careful about the advice you give, especially to your children.
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