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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Popular
Period
Remain
Drama
Periods
However
Future
Fairly
Thing
Optimistic

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Novels often have leisurely openings a TV drama needs an arresting opening.
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I'm absolutely delighted if people think of me as a reliable purveyor of quality period stuff.
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I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
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The joy of writing drama is putting yourself into different people's heads.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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My wife likes history and documentaries, but I'm not so keen on them. I generally go and do some work if there's one of those on.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
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People in the BBC are always dying to get out of their open-plan offices.
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
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