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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Period
Remain
Drama
Periods
However
Future
Fairly
Thing
Optimistic
Popular

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Novels often have leisurely openings a TV drama needs an arresting opening.
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One of the things I've always thought is a drag in so many period adaptations is that they are always buttoned up to the neck in so many clothes all the time. I'm always looking for excuses to get them out of their clothes.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
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Taking the humour out of Dickens, it's not Dickens any more.
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People in the BBC are always dying to get out of their open-plan offices.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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People like bonnets. I don't think you can under-estimate that.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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My wife likes history and documentaries, but I'm not so keen on them. I generally go and do some work if there's one of those on.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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Othello' is the most domestic of Shakespeare's tragedies and the one that's likely to strike a personal note with a lot of people watching it.
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
Andrew Davies
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
Andrew Davies