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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Focus
Prefer
Eyes
Uncomfortable
Eye
Shot
Feel
Mouths
Feels
Shots
Love
Otherwise
Scene
Voyeuristic
Close
Scenes

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Taking the humour out of Dickens, it's not Dickens any more.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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The joy of writing drama is putting yourself into different people's heads.
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I had a mother who was very emotionally demanding, wanting to be the centre of attention. As they say in EastEnders, she thought it was all about 'er. I spent a lot of time trying to work out what was going on.
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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Othello' is the most domestic of Shakespeare's tragedies and the one that's likely to strike a personal note with a lot of people watching it.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
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People like bonnets. I don't think you can under-estimate that.
Andrew Davies
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I always do like to write love stories, even if they end tragically.
Andrew Davies
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
Andrew Davies