Quote

I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Focus
Prefer
Eyes
Uncomfortable
Eye
Shot
Feel
Mouths
Feels
Shots
Love
Otherwise
Scene
Voyeuristic
Close
Scenes

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The joy of writing drama is putting yourself into different people's heads.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
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You're stuck with being yourself, so the important thing is to find people who like that.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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One of the things I've always thought is a drag in so many period adaptations is that they are always buttoned up to the neck in so many clothes all the time. I'm always looking for excuses to get them out of their clothes.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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People in the BBC are always dying to get out of their open-plan offices.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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