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I always do like to write love stories, even if they end tragically.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Love
Like
Tragically
Write
Ends
Stories
Writing
Even
Always

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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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You're stuck with being yourself, so the important thing is to find people who like that.
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People like bonnets. I don't think you can under-estimate that.
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Taking the humour out of Dickens, it's not Dickens any more.
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The joy of writing drama is putting yourself into different people's heads.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
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I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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People in the BBC are always dying to get out of their open-plan offices.
Andrew Davies
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
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I had a mother who was very emotionally demanding, wanting to be the centre of attention. As they say in EastEnders, she thought it was all about 'er. I spent a lot of time trying to work out what was going on.
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Be careful about the advice you give, especially to your children.
Andrew Davies