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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
Andrew Davies
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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Adore
Limitations
Frustration
Limitation
Classic
Also
Adaptations
Feel
Frustrations
Feels
Adaptation
More quotes by Andrew Davies
When you see two writers named on a movie, one of them did some drafts and got the boot.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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The joy of writing drama is putting yourself into different people's heads.
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Be careful about the advice you give, especially to your children.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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People like bonnets. I don't think you can under-estimate that.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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People in the BBC are always dying to get out of their open-plan offices.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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My wife likes history and documentaries, but I'm not so keen on them. I generally go and do some work if there's one of those on.
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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I had a mother who was very emotionally demanding, wanting to be the centre of attention. As they say in EastEnders, she thought it was all about 'er. I spent a lot of time trying to work out what was going on.
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You're stuck with being yourself, so the important thing is to find people who like that.
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