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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Producers
Lived
Office
Called
Year
Cleaners
Actually
Refused
Years
Distinguished
Producer

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Be careful about the advice you give, especially to your children.
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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
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You're stuck with being yourself, so the important thing is to find people who like that.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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Novels often have leisurely openings a TV drama needs an arresting opening.
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
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Taking the humour out of Dickens, it's not Dickens any more.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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The joy of writing drama is putting yourself into different people's heads.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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People like bonnets. I don't think you can under-estimate that.
Andrew Davies