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People in the BBC are always dying to get out of their open-plan offices.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Plan
Office
Dying
Plans
Open
Always
People
Offices

More quotes by Andrew Davies

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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
Andrew Davies
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Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
Andrew Davies
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You're stuck with being yourself, so the important thing is to find people who like that.
Andrew Davies
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I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
Andrew Davies
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When you see two writers named on a movie, one of them did some drafts and got the boot.
Andrew Davies
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I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
Andrew Davies
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From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.
Andrew Davies
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Be careful about the advice you give, especially to your children.
Andrew Davies
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The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
Andrew Davies
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People like bonnets. I don't think you can under-estimate that.
Andrew Davies
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
Andrew Davies
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
Andrew Davies
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
Andrew Davies
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
Andrew Davies
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
Andrew Davies
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
Andrew Davies
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
Andrew Davies
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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
Andrew Davies
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
Andrew Davies
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Novels often have leisurely openings a TV drama needs an arresting opening.
Andrew Davies