Quote

'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Love
Intense
Elements
Emotional
Laughing
Spooky
Story
Affinity
Rather
Laughs
Beautiful
Delicate
Stories
Element

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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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The joy of writing drama is putting yourself into different people's heads.
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I always do like to write love stories, even if they end tragically.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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I know that a ridiculous number of classic serials have been commissioned, and that reviews show a reaction against them. The critics seem fed up.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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I'm absolutely delighted if people think of me as a reliable purveyor of quality period stuff.
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People like bonnets. I don't think you can under-estimate that.
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Taking the humour out of Dickens, it's not Dickens any more.
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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
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Be careful about the advice you give, especially to your children.
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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
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I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
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One of the things I've always thought is a drag in so many period adaptations is that they are always buttoned up to the neck in so many clothes all the time. I'm always looking for excuses to get them out of their clothes.
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