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The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?

Andrew Bird

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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Release
Explain
Consciousness
Brain
Talking
Weirdest
Ends
Journalists
Self
Perform
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More quotes by Andrew Bird

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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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There's a lot of interesting words, nomenclatures, in science.
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The earth almost looks like it's packed down and dense from so many feet treading over it.
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The way I work, I'm not a confessional singer-songwriter.
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I finished touring the last record and I started recording new .I never really left the bubble, which is I think a good thing. I was just very focused. Maybe I should have taken a break or something, and not done such a long push.
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I guess I'm attracted to more archaic words because they can be imbued with more meaning, because their definition is elusive.
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
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The real drag is trying to fly from country to country, day of show, with all your gear. You get hassled all the time. It's hard trying to keep it together.
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Anyway, I'm digressing, but this is just kind of this 10-and-a-half-minute, ambient - you hear cicadas and birds and the wind outside and crickets as I'm swelling the piece. I could never do that on a pop record. I could, but why would I want to be agitating?
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A day off after a show with no agenda in a foreign city is about the most fertile creative situation I can imagine. Just walking with nothing to do, killing time and hearing the sights and sounds of an unfamiliar place.
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All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.
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