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When I start asking my friends, What do you think this means? And it leads to way more interesting conversations than what it actually ends up meaning in the dictionary. Like apocryphal, for instance.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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More quotes by Andrew Bird
You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.
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I've done my share of busking, and it's fun until it isn't. There are musicians in the subways that will make you cry, they're so good.
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Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.
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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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What you see with your eyes when you're making music is going to have a profound effect on what you hear.
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I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.
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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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I think I'm still a little too intense for my own good sometimes.
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I just pay attention to what's in my head. That's my number-one rule.
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The anti-aging advert that I would like to see is a baby covered in cream saying, 'Aah, I've used too much'
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Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.
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I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.
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Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.
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If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
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Honestly, I didn't have the patience for biology or history in an academic sense, but I always liked the kind of big questions.
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