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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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More quotes by Andrew Bird
I finished touring the last record and I started recording new .I never really left the bubble, which is I think a good thing. I was just very focused. Maybe I should have taken a break or something, and not done such a long push.
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Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment like you're blushing. I like doing that. I did that with Eyeoneye and it was almost a curse on the song for a while I debuted it when it was half-finished in a very public way
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When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
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I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.
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Sometimes the word dictated the melody.
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The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?
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When I start asking my friends, What do you think this means? And it leads to way more interesting conversations than what it actually ends up meaning in the dictionary. Like apocryphal, for instance.
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All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.
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Music as a social conduit has always been important to me.
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There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
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Most of the songs that I appreciate are lyrically vague.
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Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.
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Sometimes I just think we're not meant to fly halfway around the world in a day. That some kind of mutation is going to happen.
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I don't like super-descriptive modern fiction. I like, Here's what was happening in 1582 all over the planet. Then that gets my imagination going.
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I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
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I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
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The first notes I still play when I start a sound check are classical. Those are my roots.
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I don't like to disappear between records. I like to play shows while I'm making the record.
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