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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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Glasses
Two
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Earlier
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Glass
More quotes by Andrew Bird
There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
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I write a lot more when I'm happy, because you're hopeful, you're motivated.
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Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.
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I'm into lately being a little less precious about writing and being like, Okay, what if I just locked myself in my room, pretend that there's someone outside with a gun that's saying, 'Don't come out until you write something.'
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The anti-aging advert that I would like to see is a baby covered in cream saying, 'Aah, I've used too much'
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The melodies come out so strong that I'm like, Oh, crap. It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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There's been this perception that Europeans still hold on to, that they discover the real talented ones in American culture and give them proper credit and that's not true anymore - it used to be. A lot of jazz musicians would get respect in Europe.
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I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.
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Music as a social conduit has always been important to me.
Andrew Bird
Just don't let the human factor fail to be a factor at all
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I've literally opened it up to suggestions and it's totally chaotic and kind of a bad idea. You don't need the actual feedback to get a sense. When you're showing a song for the first time, people can feel that newness.
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Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.
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I definitely have to give myself permission, like on Master Swarm, to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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My favorite literature to read is fairly dry history. I like the framework, and my imagination can do the rest.
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I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, How can I defend my own sensibilities by writing a nugget of a little catchy pop song? That's how I'm stretching myself, by writing something really simple.
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I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
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Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.
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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
Andrew Bird