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If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Song
Three
Littles
Little
Recording
Take
Weeks
Going
Eventually
Every
Listen
Time
Week
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
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I don't like super-descriptive modern fiction. I like, Here's what was happening in 1582 all over the planet. Then that gets my imagination going.
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The idea of writing songs because you're depressed and you need to communicate it somehow, that isn't really true for me.
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I am, in some sense, a writer. Even though I kinda downplay the word thing, I do enjoy writing sometimes.
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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
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I think I'm still a little too intense for my own good sometimes.
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Sometimes I just think we're not meant to fly halfway around the world in a day. That some kind of mutation is going to happen.
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Honestly, I didn't have the patience for biology or history in an academic sense, but I always liked the kind of big questions.
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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What you see with your eyes when you're making music is going to have a profound effect on what you hear.
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Guitars are kind of just, you know, sexy, especially old vintage ones.
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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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There's a lot of interesting words, nomenclatures, in science.
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Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
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