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Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Matter
Whole
Sometimes
Instincts
Much
Instinct
Time
Following
Think
Choice
Thinking
Choices
Happens
More quotes by Andrew Bird
I also don't believe that everything happens for a reason, which is in a similar category of world-views.
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I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.
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I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
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Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.
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I don't like to disappear between records. I like to play shows while I'm making the record.
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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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It's like you don't know you're making a record unless you're half-killing yourself.
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I am, in some sense, a writer. Even though I kinda downplay the word thing, I do enjoy writing sometimes.
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There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
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Guitars are kind of just, you know, sexy, especially old vintage ones.
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Playing the violin and singing and whistling are just three different ways of making sound.
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When I start asking my friends, What do you think this means? And it leads to way more interesting conversations than what it actually ends up meaning in the dictionary. Like apocryphal, for instance.
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I just pay attention to what's in my head. That's my number-one rule.
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Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.
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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
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Anyway, I'm digressing, but this is just kind of this 10-and-a-half-minute, ambient - you hear cicadas and birds and the wind outside and crickets as I'm swelling the piece. I could never do that on a pop record. I could, but why would I want to be agitating?
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There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
Andrew Bird
Just don't let the human factor fail to be a factor at all
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I write a lot more when I'm happy, because you're hopeful, you're motivated.
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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
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