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You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Good
Studios
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Expectations
Record
Build
Records
Song
Nothing
Enough
Studio
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What you see with your eyes when you're making music is going to have a profound effect on what you hear.
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If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
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There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
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I don't like super-descriptive modern fiction. I like, Here's what was happening in 1582 all over the planet. Then that gets my imagination going.
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The earth almost looks like it's packed down and dense from so many feet treading over it.
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I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.
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I don't write poetry and then strum some chords and then fit the words on top of the chords.
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The anti-aging advert that I would like to see is a baby covered in cream saying, 'Aah, I've used too much'
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
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All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.
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People who are thinking about your music almost as much as you are, that almost never happens.
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I also don't believe that everything happens for a reason, which is in a similar category of world-views.
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A good espresso to me is a little bit salty you just become used to a good taste. Anytime I go into a new place and they don't clean their machine properly or the water temperature isn't right, it tastes awful.
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With digital sound just becomes simply information, not the sum of its parts.
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I think life is a wondrous thing. I'm happy to try pretty hard.
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