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I've always felt that dark lyrics with dark music is pretty useless. Maybe that's a strong statement - not useless, but for me, it's just boring.

Andrew Bird

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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Strong
Lyrics
Felt
Statement
Music
Statements
Always
Useless
Boring
Pretty
Maybe
Dark

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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
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Sometimes the word dictated the melody.
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What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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Sometimes I just think we're not meant to fly halfway around the world in a day. That some kind of mutation is going to happen.
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A good espresso to me is a little bit salty you just become used to a good taste. Anytime I go into a new place and they don't clean their machine properly or the water temperature isn't right, it tastes awful.
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
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I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage.
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I think life is a wondrous thing. I'm happy to try pretty hard.
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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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No, it's not dissatisfaction that inspires me to tinker with my songs, it's just restlessness.
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The way I work, I'm not a confessional singer-songwriter.
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I definitely have to give myself permission, like on Master Swarm, to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
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I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
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Honestly, I didn't have the patience for biology or history in an academic sense, but I always liked the kind of big questions.
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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
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Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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Just don't let the human factor fail to be a factor at all
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