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Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.

Andrew Bird

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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Somewhat
Requires
Started
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Process
Even
Ceremony
Arbitrary

More quotes by Andrew Bird

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A good espresso to me is a little bit salty you just become used to a good taste. Anytime I go into a new place and they don't clean their machine properly or the water temperature isn't right, it tastes awful.
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There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
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You travel with the hope that something unexpected will happen. It has to do with enjoying being lost and figuring it out and the satisfaction. I always get a little disappointed when I know too well where I’m going, or when I’ve lived in a place so long that there’s no chance I could possibly get lost.
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It's like you don't know you're making a record unless you're half-killing yourself.
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.
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I guess I'm attracted to more archaic words because they can be imbued with more meaning, because their definition is elusive.
Andrew Bird
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Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
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I really believe there's more honesty in one live show than there may be in my whole output.
Andrew Bird
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I put a lot into my records, and I won't release anything I'm not totally thrilled with.
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When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
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The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
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The earth almost looks like it's packed down and dense from so many feet treading over it.
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There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment like you're blushing. I like doing that. I did that with Eyeoneye and it was almost a curse on the song for a while I debuted it when it was half-finished in a very public way
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There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.
Andrew Bird
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The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
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The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.
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My favorite literature to read is fairly dry history. I like the framework, and my imagination can do the rest.
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I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
Andrew Bird