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I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.

Andrew Bird

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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Feel
Notes
Feels
Instruments
Kind
Hour
Really
Playing
Resonance
Think
Pretty
Violin
Thinking
Hours
Note
Remember
Instrument
Young
Tone

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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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I think life is a wondrous thing. I'm happy to try pretty hard.
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I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
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When I start asking my friends, What do you think this means? And it leads to way more interesting conversations than what it actually ends up meaning in the dictionary. Like apocryphal, for instance.
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The first notes I still play when I start a sound check are classical. Those are my roots.
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The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
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The real drag is trying to fly from country to country, day of show, with all your gear. You get hassled all the time. It's hard trying to keep it together.
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I'm into lately being a little less precious about writing and being like, Okay, what if I just locked myself in my room, pretend that there's someone outside with a gun that's saying, 'Don't come out until you write something.'
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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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I don't like super-descriptive modern fiction. I like, Here's what was happening in 1582 all over the planet. Then that gets my imagination going.
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I also don't believe that everything happens for a reason, which is in a similar category of world-views.
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People who are thinking about your music almost as much as you are, that almost never happens.
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The melodies come out so strong that I'm like, Oh, crap. It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
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The idea of writing songs because you're depressed and you need to communicate it somehow, that isn't really true for me.
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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
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I just pay attention to what's in my head. That's my number-one rule.
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I'm a terrible Scrabble player.
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Some of my earlier songs are kind of more about mental illness.
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I'm just trying to get my body in shape so that I can handle it. It's a very physically demanding thing. I've been doing it for 16 years, so I know what I'm going into now. I'm trying to stay calm and not panic.
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