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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.

Andrew Bird

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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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Orchestra
Way
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Time
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Instruments
Think
Still
Boring
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Amazing
Little
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Much
Fun
Arrange

More quotes by Andrew Bird

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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, How can I defend my own sensibilities by writing a nugget of a little catchy pop song? That's how I'm stretching myself, by writing something really simple.
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The first notes I still play when I start a sound check are classical. Those are my roots.
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You travel with the hope that something unexpected will happen. It has to do with enjoying being lost and figuring it out and the satisfaction. I always get a little disappointed when I know too well where I’m going, or when I’ve lived in a place so long that there’s no chance I could possibly get lost.
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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
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I think I'm still a little too intense for my own good sometimes.
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I don't like to disappear between records. I like to play shows while I'm making the record.
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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Guitars are kind of just, you know, sexy, especially old vintage ones.
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Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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The real drag is trying to fly from country to country, day of show, with all your gear. You get hassled all the time. It's hard trying to keep it together.
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A day off after a show with no agenda in a foreign city is about the most fertile creative situation I can imagine. Just walking with nothing to do, killing time and hearing the sights and sounds of an unfamiliar place.
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Melodies are just honest. They can only be what they are. Words have the capacity for deception. Theyre all full of subtext, and some of them are cliche and overused and vernacular. Theyre tricky. All I can say is, words are tricky.
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I finished touring the last record and I started recording new .I never really left the bubble, which is I think a good thing. I was just very focused. Maybe I should have taken a break or something, and not done such a long push.
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I write a lot more when I'm happy, because you're hopeful, you're motivated.
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Correlation across replicated environments adds a whole new dimension of complexity of the environment, ... You would expect most application groups to have the same set of policies. In reality, you have differences in policies. That reflects back to that whole process of manual storing in the environment.
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I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
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You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.
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I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.
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I just pay attention to what's in my head. That's my number-one rule.
Andrew Bird