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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
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Jazz Musician
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Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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More quotes by Andrew Bird
I put a lot into my records, and I won't release anything I'm not totally thrilled with.
Andrew Bird
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
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Melodies are just honest. They can only be what they are. Words have the capacity for deception. Theyre all full of subtext, and some of them are cliche and overused and vernacular. Theyre tricky. All I can say is, words are tricky.
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Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.
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Playing the violin and singing and whistling are just three different ways of making sound.
Andrew Bird
I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, How can I defend my own sensibilities by writing a nugget of a little catchy pop song? That's how I'm stretching myself, by writing something really simple.
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I finished touring the last record and I started recording new .I never really left the bubble, which is I think a good thing. I was just very focused. Maybe I should have taken a break or something, and not done such a long push.
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What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
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I still play solo shows. And some of those shows are still some of the best, most gratifying shows.
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I've literally opened it up to suggestions and it's totally chaotic and kind of a bad idea. You don't need the actual feedback to get a sense. When you're showing a song for the first time, people can feel that newness.
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The earth almost looks like it's packed down and dense from so many feet treading over it.
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There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.
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I definitely have to give myself permission, like on Master Swarm, to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
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Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
Andrew Bird
I can't relate to the process of just disappearing and writing a record, all at the same time, followed by the sort of drudgery of going out on tour and trying to recreate the record, playing the same 12 songs every night.
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You travel with the hope that something unexpected will happen. It has to do with enjoying being lost and figuring it out and the satisfaction. I always get a little disappointed when I know too well where I’m going, or when I’ve lived in a place so long that there’s no chance I could possibly get lost.
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I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
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The melodies come out so strong that I'm like, Oh, crap. It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
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I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
Andrew Bird