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There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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More quotes by Andrew Bird
I'm a terrible Scrabble player.
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If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
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Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.
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The way I work, I'm not a confessional singer-songwriter.
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The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
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Some of your best songs come from a desperate attempt to escape, so sitting in an airport for hours I can just start pulling out little fragments of songs from my head. A lot of times a melody will just occur to me and be my companion for a couple of months.
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When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
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I am, in some sense, a writer. Even though I kinda downplay the word thing, I do enjoy writing sometimes.
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Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
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The first notes I still play when I start a sound check are classical. Those are my roots.
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The anti-aging advert that I would like to see is a baby covered in cream saying, 'Aah, I've used too much'
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I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.
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I've always felt that dark lyrics with dark music is pretty useless. Maybe that's a strong statement - not useless, but for me, it's just boring.
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Guitars are kind of just, you know, sexy, especially old vintage ones.
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I definitely have to give myself permission, like on Master Swarm, to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
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There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment like you're blushing. I like doing that. I did that with Eyeoneye and it was almost a curse on the song for a while I debuted it when it was half-finished in a very public way
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I really like the sound of analog things where clearly there's something being touched. You can sense that something is handmade. So much with digital, there's a disconnect.
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I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, How can I defend my own sensibilities by writing a nugget of a little catchy pop song? That's how I'm stretching myself, by writing something really simple.
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