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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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Couldn
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Every
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Almost
Internalize
Never
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Classical
Ever
Formal
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Piece
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I've always had levity in my songs, so I like to turn things over, twist them around, and make fun of myself.
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I guess I'm attracted to more archaic words because they can be imbued with more meaning, because their definition is elusive.
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Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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When I start asking my friends, What do you think this means? And it leads to way more interesting conversations than what it actually ends up meaning in the dictionary. Like apocryphal, for instance.
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Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.
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Anyway, I'm digressing, but this is just kind of this 10-and-a-half-minute, ambient - you hear cicadas and birds and the wind outside and crickets as I'm swelling the piece. I could never do that on a pop record. I could, but why would I want to be agitating?
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There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
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It's like you don't know you're making a record unless you're half-killing yourself.
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