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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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Pieces
More quotes by Andrew Bird
It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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My favorite literature to read is fairly dry history. I like the framework, and my imagination can do the rest.
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I'm just trying to get my body in shape so that I can handle it. It's a very physically demanding thing. I've been doing it for 16 years, so I know what I'm going into now. I'm trying to stay calm and not panic.
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Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.
Andrew Bird
I also don't believe that everything happens for a reason, which is in a similar category of world-views.
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The way I work, I'm not a confessional singer-songwriter.
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I really believe there's more honesty in one live show than there may be in my whole output.
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Most of the songs that I appreciate are lyrically vague.
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It's like you don't know you're making a record unless you're half-killing yourself.
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You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.
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I still kind of believe this absurd line that if you have to write it down, it's not worth remembering.
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There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.
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I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
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What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
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I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, How can I defend my own sensibilities by writing a nugget of a little catchy pop song? That's how I'm stretching myself, by writing something really simple.
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There's a lot of interesting words, nomenclatures, in science.
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Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
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I think life is a wondrous thing. I'm happy to try pretty hard.
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Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
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