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A day off after a show with no agenda in a foreign city is about the most fertile creative situation I can imagine. Just walking with nothing to do, killing time and hearing the sights and sounds of an unfamiliar place.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
Show
Sight
Unfamiliar
Shows
City
Fertile
Place
Walking
Agenda
Nothing
Cities
Agendas
Time
Imagine
Foreign
Situation
Sounds
Creative
Hearing
Sound
Killing
Sights
More quotes by Andrew Bird
I also don't believe that everything happens for a reason, which is in a similar category of world-views.
Andrew Bird
There's a lot of interesting words, nomenclatures, in science.
Andrew Bird
When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
Andrew Bird
I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.
Andrew Bird
There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
Andrew Bird
There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
Andrew Bird
I definitely have to give myself permission, like on Master Swarm, to rip a lead on that. Just play a violin solo that's - it's a bit showoff-y, but it's fun, so who cares?
Andrew Bird
I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.
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The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
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It's not set in stone. I like to keep it rolling and changing, and so I am like, Great, I get to remake my song.
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Some of my earlier songs are kind of more about mental illness.
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The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?
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The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
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Just don't let the human factor fail to be a factor at all
Andrew Bird
Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.
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What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.
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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
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Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.
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I put a lot into my records, and I won't release anything I'm not totally thrilled with.
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Music as a social conduit has always been important to me.
Andrew Bird