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The first notes I still play when I start a sound check are classical. Those are my roots.
Andrew Bird
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Andrew Bird
Age: 51
Born: 1973
Born: July 11
Fiddler
Film Editor
Guitarist
Jazz Musician
Musician
Singer
Singer-Songwriter
Chicago
Illinois
Andrew Wegman Bird
Andrew W. Bird
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Roots
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Classical
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More quotes by Andrew Bird
Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
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I'm a terrible Scrabble player.
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With digital sound just becomes simply information, not the sum of its parts.
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With the words, a lot of things start with questions. Some word kind of piques my interest, and I love the way it sounds, but I really don't know what it means. And I honestly don't care for a while.
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Some of your best songs come from a desperate attempt to escape, so sitting in an airport for hours I can just start pulling out little fragments of songs from my head. A lot of times a melody will just occur to me and be my companion for a couple of months.
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I still play solo shows. And some of those shows are still some of the best, most gratifying shows.
Andrew Bird
I just pay attention to what's in my head. That's my number-one rule.
Andrew Bird
You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.
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I also don't believe that everything happens for a reason, which is in a similar category of world-views.
Andrew Bird
Music as a social conduit has always been important to me.
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Anyway, I'm digressing, but this is just kind of this 10-and-a-half-minute, ambient - you hear cicadas and birds and the wind outside and crickets as I'm swelling the piece. I could never do that on a pop record. I could, but why would I want to be agitating?
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The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.
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If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.
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I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.
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I finished touring the last record and I started recording new .I never really left the bubble, which is I think a good thing. I was just very focused. Maybe I should have taken a break or something, and not done such a long push.
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I've done my share of busking, and it's fun until it isn't. There are musicians in the subways that will make you cry, they're so good.
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I think life is a wondrous thing. I'm happy to try pretty hard.
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There's songs that could either be taken as a conversation between two people, like The Privateers, or Why, from a much earlier record. Or Glass Figurine. That's my version of a relationship song.
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There's a lot of interesting words, nomenclatures, in science.
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I haven't had that many people onstage for a while, and I'm looking forward to that. They're all such creative musicians in their own right. They're all complete individuals. They're not just a pick-up band. They all have their own thing going on.
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