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Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective.

Andreas Feininger

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Andreas Feininger
Age: 92 †
Born: 1906
Born: January 1
Died: 1999
Died: January 1
Architect
Painter
Photographer
Paris
France
Andreas B. L. Feininger
Andreas Bernhard Lyonel Feininger
Andreas Bernhad Lyonel Feiniger
Andreas Feiniger
Humans
Objectives
Camera
Total
Photographer
Cameras
Untrustworthy
Photography
Selective
Vision
Subjective
Human
Objective

More quotes by Andreas Feininger

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The first impression of a new subject is not necessary the best. Seen from a different angle or under different condition it might look even better. Always study a three - dimensional subject with one eye closed.
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Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration.
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Photographers - idiots, of which there are so many - say, Oh, if only I had a Nikon or a Leica, I could make great photographs. That's the dumbest thing I ever heard in my life. It's nothing but a matter of seeing, and thinking, and interest.
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No one can do inspired work without genuine interest in his subject and understanding of its characteristics.
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The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition.
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Any good photograph is a successful synthesis of technique and art.
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What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.
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Don't look for depth but instead search for subject aspects which prove the presence of depth.
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Light is the photographic medium par excellence it is to the photographer what words are to the writer color and paint to the painter wood, metal, stone, or clay to the sculptor.
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Experience has shown that the more fascinating the subject, the less observant the photographer.
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Every successful photograph, except for lucky shots, begins with an idea and a plan. The more precisely a photographer knows what it is he wishes to do, the better the chances are that he will do it.
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Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better.
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And yet, in a superficial sense, it is true that the camera does not lie: given a chance, it will faithfully render everything within the field of view of the lens and show it precisely as it is.
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Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record.
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As an amateur you have an advantage over photographers - you can do as you wish... This should make amateurs the happiest of photographers.
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(1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture.
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A technically perfect photograph can be the world's most boring picture.
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The difference in 'seeing' between the eye and the lens should make it obvious that a photographer who merely points his camera at an appealing subject and expects to get an appealing picture in return, may be headed for a disappointment.
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Unless a subject interests me, I'll pass it over and save my film for better things.
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Know - how is worthless unless guided by know - why and know - when.
Andreas Feininger