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There is nothing as dangerous as an unembodied principle: no matter what blood flows, the principle comes first. The First Amendment absolutists operate precisely on unembodied principle.
Andrea Dworkin
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Andrea Dworkin
Age: 58 †
Born: 1946
Born: September 26
Died: 2005
Died: April 9
Essayist
Feminist
Journalist
Literary Critic
Novelist
Writer
Camden
New Jersey
Andrea Rita Dworkin
Principle
Matter
Flow
First
Principles
Absolutists
Amendment
Dangerous
Operate
Blood
Amendments
Comes
Flows
Firsts
Precisely
Nothing
More quotes by Andrea Dworkin
One can know everything and still be unable to accept the fact that sex and murder are fused in the male consciousness, so that the one without the imminent possibly of the other is unthinkable and impossible.
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The new pornography is left-wing and the new pornography is a vast graveyard where the Left has gone to die. The Left cannot have its whores and its politics too.
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Any violation of a woman's body can become sex for men this is the essential truth of pornography.
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The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.
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Could women's liberation ever be a revolutionary movement, not rhetorically but on the ground?
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Being a Jew, one learns to believe in the reality of cruelty and one learns to recognize indifference to human suffering as a fact.
Andrea Dworkin
Every three minutes a woman is being raped. Every eighteen seconds a woman is being beaten. There is nothing abstract about it. It is happening right now as I am speaking.
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If you want a definition of what a coward is, it’s needing to push a whole class of people down so that you can walk on top of them.
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Seduction is often difficult to distinguish from rape. In seduction, the rapist often bothers to buy a bottle of wine.
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Freedom is not an abstaction, nor is a little of it enough. A little more is not enough either. Having less, being less, empoverished in freedom and rights, women then invariably have less self-respect: less self-respect than any human being needs to live a brave and honest life.
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Institutionalised in sports, the military, acculturated sexuality, the history and mythology of heroism, violence is taught to boys until they becomes its advocates.
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...In every realm of male expression and action, violence is experienced and articulated as love and freedom.
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No phallic hero, no matter what he does to himself or to another to prove his courage, ever matches the solitary, existential courage of the woman who gives birth.
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Only when manhood is dead - and it will perish when ravaged femininity no longer sustains it - only then will we know what it is to be free.
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Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly, art which is not based on the subjugation of one half of the species.
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Men have defined the parameters of every subject. All feminist arguments, however radical in intent or consequence, are with or against assertions or premises implicit in the male system, which is made credible or authentic by the power of men to name.
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Men are rewarded for learning the practice of violence in virtually any sphere of activity by money, admiration, recognition, respect, and the genuflection of others honoring their sacred and proven masculinity. In male culture, police are heroic and so are outlaws males who enforce standards are heroic and so are those who violate them.
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Feminist art... will take the great human themes – love, death, heroism, suffering, history itself – and render them fully human.
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We must refuse to submit to those institutions which are by definition sexist - marriage, the nuclear family, religions built on the myth of feminine evil.
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For a mother the project of raising a boy is the most fulfilling project she can hope for.
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