Quote

Could women's liberation ever be a revolutionary movement, not rhetorically but on the ground?

Andrea Dworkin

Change background

T
T
T

Change font

TAGS & TOPICS

Andrea Dworkin
Age: 58 †
Born: 1946
Born: September 26
Died: 2005
Died: April 9
Essayist
Feminist
Journalist
Literary Critic
Novelist
Writer
Camden
New Jersey
Andrea Rita Dworkin
Ever
Rhetorically
Liberation
Revolutionary
Ground
Movement
Women

More quotes by Andrea Dworkin

Image
Genocide begins, however improbably, in the conviction that classes of biological distinction indisputably sanction social and political discrimination.
Andrea Dworkin
Image
Three, community built on androgynous identity will mean the end of transsexuality as we know it. Either the transsexual will be able to expand his/her sexuality into a fluid androgyny, or, as roles disappear, the phenomenon of transsexuality will disappear and that energy will be transformed into new modes of sexual identity and behavior.
Andrea Dworkin
Image
The traditional flowers of courtship are the traditional flowers of the grave, delivered to the victim before the kill. The cadaver is dressed up and made up and laid down and ritually violated and consecrated to an eternity of being used.
Andrea Dworkin
Image
The hurting of women is . . . basic to the sexual pleasure of men.
Andrea Dworkin
Image
Surely the freedom of women must mean more to us than the freedom of pimps.
Andrea Dworkin
Image
If pornography releases sexual tension, why don't we send recipe books to the starving?
Andrea Dworkin
Image
We must refuse to submit to those institutions which are by definition sexist - marriage, the nuclear family, religions built on the myth of feminine evil.
Andrea Dworkin
Image
In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.
Andrea Dworkin
Image
Pornography incarnates male supremacy. It is the DNA of male dominance. Every rule of sexual abuse, every nuance of sexual sadism, every highway and byway of sexual exploitation, is encoded in it.
Andrea Dworkin
Image
Violation is a synonym for intercourse.
Andrea Dworkin
Image
Men have defined the parameters of every subject. All feminist arguments, however radical in intent or consequence, are with or against assertions or premises implicit in the male system, which is made credible or authentic by the power of men to name.
Andrea Dworkin
Image
Men characterize pornography as something mental because their minds, their thoughts, their dreams, their fantasies, are more real to them than women's bodies or lives in fact, men have used their social power to characterize a $10-billion-a-year trade in women as fantasy.
Andrea Dworkin
Image
Sexism is the foundation on which all tyranny is built. Every social form of hierarchy and abuse is modeled on male-over-female domination.
Andrea Dworkin
Image
Families make possible the super-exploitation of women by training them to look upon their work outside the home as peripheral to their 'true' role.
Andrea Dworkin
Image
The universal religion - contempt for women.
Andrea Dworkin
Image
Women's fashion is a euphemism for fashion created by men for women.
Andrea Dworkin
Image
I have spent 20 years writing these books. Had I wanted to say men are beasts and scream, that takes 30 seconds.
Andrea Dworkin
Image
The fact that we are all trained to be mothers from infancy on means that we are all trained to devote our lives to men, whether they are our sons or not that we are all trained to force other women to exemplify the lack of qualities which characterizes the cultural construct of femininity.
Andrea Dworkin
Image
Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly, art which is not based on the subjugation of one half of the species.
Andrea Dworkin
Image
Monroe, the consummate sexual doll, is empowered to act but afraid to act, perhaps because no amount of acting, however inspired,can convince the actor herself that her ideal female life is not a dreadful form of dying.
Andrea Dworkin