Quote

The will to domination is a ravenous beast. There are never enough warm bodies to satiate its monstrous hunger. Once alive, this beast grows and grows, feeding on all the life around it, scouring the earth to find new sources of nourishment. This beast lives in each man who battens on female servitude.

Andrea Dworkin

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Andrea Dworkin
Age: 58 †
Born: 1946
Born: September 26
Died: 2005
Died: April 9
Essayist
Feminist
Journalist
Literary Critic
Novelist
Writer
Camden
New Jersey
Andrea Rita Dworkin
Life
War
Bodies
Nourishment
Around
Hunger
Monstrous
Earth
Warm
Domination
Body
Female
Sources
Find
Source
Feeding
Scouring
Enough
Grows
Oppressed
Satiate
Never
Alive
Oppression
Ravenous
Men
Lives
Beast
Servitude

More quotes by Andrea Dworkin

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A commitment to sexual equality with males is a commitment to becoming the rich instead of the poor, the rapist instead of the raped, the murderer instead of the murdered.
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We as women know that there are no disembodied processes that all history originates in human flesh that all oppression is inflicted by the body of one against the body of another that all social change is built on the bone and muscle, and out of the flesh and blood, of human creators.
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One of the differences between marriage and prostitution is that in marriage you only have to make a deal with one man.
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The creative mind is intelligence in action in the world.
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Families make possible the super-exploitation of women by training them to look upon their work outside the home as peripheral to their 'true' role.
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I dream that love without tyranny is possible
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Feminist art may... though perhaps our imaginations are so mutilated now that we are incapable even of the ambition, introduce a new theme... should we call it 'joy'?
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The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.
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To be rapeable, a position that is social, not biological, defines what a woman is.
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Wild intelligence abhors any narrow world and the world of women must stay narrow, or the woman is an outlaw. No woman could be Nietzsche or Rimbaud without ending up in a whorehouse or lobotomized.
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Money speaks, but it speaks with a male voice.
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One of the reasons that women are kept in a state of economic degradation- because that's what it is for most women- is because that is the best way to keep women sexually available.
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The cultural institutions which embody and enforce those interlocked aberrations-for instance, law, art, religion, nation-states, the family, tribe, or commune based on father-right-these institutions are real and they must be destroyed.
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The universal religion - contempt for women.
Andrea Dworkin
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Could women's liberation ever be a revolutionary movement, not rhetorically but on the ground?
Andrea Dworkin
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Men have constructed female sexuality and in so doing have annihilated the chance for sexual intelligence in women. Sexual intelligence cannot live in the shallow, predestined sexuality men have counterfeiteed for women.
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Feminist art... will take the great human themes – love, death, heroism, suffering, history itself – and render them fully human.
Andrea Dworkin
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And on that day, the day of truce, that day when not one woman is raped, we will begin the real practice of equality, because we can't begin it before that day. Before that day it means nothing, because it is nothing It is not real It is not true.
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We are born into a world in which sexual possibilities are narrowly circumscribed. . . . We are programmed by the culture as surely as rats are programmed to make the arduous way through the scientist's maze, and that programming operates on every level of choice and action.
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Three, community built on androgynous identity will mean the end of transsexuality as we know it. Either the transsexual will be able to expand his/her sexuality into a fluid androgyny, or, as roles disappear, the phenomenon of transsexuality will disappear and that energy will be transformed into new modes of sexual identity and behavior.
Andrea Dworkin