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Surely that little pseudo-gothic church on Broadway, hidden amongst the skyscrapers, is symbolic of the age! On the whole face of the globe the civilization that has conquered it has failed to build a temple or a tomb.
Andre Malraux
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Andre Malraux
Age: 75 †
Born: 1901
Born: November 3
Died: 1976
Died: November 23
Art Critic
Art Historian
Author
Film Director
Film Editor
Journalist
Novelist
Politician
Screenwriter
Writer
Paris
France
Georges-André Malraux
Andre Malraux
Georges-Andre Malraux
Age
Broadway
Pseudo
Church
Temples
Tombs
Faces
Surely
Conquered
Littles
Failed
Amongst
Little
Hidden
Symbolic
Skyscrapers
Whole
Build
Globe
Skyscraper
Civilization
Globes
Gothic
Face
Temple
Tomb
More quotes by Andre Malraux
And when man faces destiny, destiny ends and man comes into his own.
Andre Malraux
The thrill of creation which we experience which we experience when we see a masterpiece is not unlike the feeling of the artist who created it such a work is a fragment of the world which he has annexed and which belongs to him alone.
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Youth is a religion from which one always ends up being converted.
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Some pictures are in the gallery because they belong to humanity and others because they belong to the United States.
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To love a painting is to feel that this presence is ... not an object but a voice.
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In the realm of human destiny, the depth of man's questionings is more important than his answers.
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Between eigtheen and twenty, life is like an exchange where one buys stocks, not with money, but with actions. Most men buy nothing.
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As for the outside world, the artist is confronted by what he sees but what he sees is primarily what he looks at.
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Be careful -- with quotations, you can damn anything.
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Just as a musician loves music and not nightingales, and a poet loves poetry and not sunsets, a painter is not primarily a person who responds to figures and landscapes. He is primarily one who loves pictures.
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There is always a need for intoxication: China has opium, Islam has hashish, the West has woman.
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The present age delights in unearthing a great man's secrets for one thing because we like to temper our admiration and also perhaps we have a vague hope of finding a clue to genius in such revelations.
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The great mystery is not that we should have been thrown down here at random between the profusion of matter and that of the stars it is that from our very prison we should draw, from our own selves, images powerful enough to deny our own nothingness.
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If man is not ready to risk his life, where is his dignity?
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The mind supplies the idea of a nation, but what gives this idea its sentimental force is a community of dreams.
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Chanel, General De Gaulle and Picasso are the three most important figures of our time.
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The twenty-first century will be spiritual or it will not be.
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A break in the established order is never the work of chance. It is the outcome of a man's resolve to turn life to account.
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An artist discovers his genius the day he dares not to please.
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Every young man's heart is a graveyard in which are inscribed the names of a thousand dead artists but whose only actual denizens are a few mighty, often antagonistic, ghosts.
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