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There is always a need for intoxication: China has opium, Islam has hashish, the West has woman.
Andre Malraux
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Andre Malraux
Age: 75 †
Born: 1901
Born: November 3
Died: 1976
Died: November 23
Art Critic
Art Historian
Author
Film Director
Film Editor
Journalist
Novelist
Politician
Screenwriter
Writer
Paris
France
Georges-André Malraux
Andre Malraux
Georges-Andre Malraux
Woman
Need
Needs
Hashish
Always
Intoxication
Opium
Islam
China
West
More quotes by Andre Malraux
The present age delights in unearthing a great man's secrets for one thing because we like to temper our admiration and also perhaps we have a vague hope of finding a clue to genius in such revelations.
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Nothing is harder than to get people to think about what they are going to do.
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Youth is a religion from which one always ends up being converted.
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Every creation is, at its root, the struggle between potential form and imitated form.
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Man knows that the world is not made on a human scale and he wishes that it were.
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The crucial discovery was made that, in order to become painting, the universe seen by the artist had to become a private one created by himself.
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The mind supplies the idea of a nation, but what gives this idea its sentimental force is a community of dreams.
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No one can endure his own solitude.
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In so far as he is a creator, the artist does not belong to a social group already moulded by a culture, but to a culture which he is by way of building up.
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To understand what the outside of an aquarium looks like, it's better not to be a fish.
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The attempt to force human beings to despise themselves is what I call hell.
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There are not fifty ways of fighting, there's only one, and that's to win. Neither revolution nor war consists in doing what one pleases.
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The only domain where the divine is visible is that of art, whatever name we choose to call it.
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Athirst for personal salvation, the West forgets that many religions had but a vague notion of the life beyond the grave true, all great religions stake a claim on eternity, but not necessarily on man's eternal life.
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The basic problem is that our civilization, which is a civilization of machines, can teach man everything except how to be a man.
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To love a painting is to feel that this presence is ... not an object but a voice.
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If modern painters feel qualms about applying the term masterpiece to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal.
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If man is not ready to risk his life, where is his dignity?
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I don't argue with my enemies I explain to their children.
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One cannot create an art that speaks to men when one has nothing to say.
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