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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Tragedy
Hundred
May
Firsts
First
World
Millionth
Divorce
Necessarily

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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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We are all tourists in history, and irony is what we win in wars.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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We don't simply read books. We become them.
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I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
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The moment a book is lent I begin to miss it.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Paranoids are the only ones who notice things anymore.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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