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Chic is a convent for unloved women.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Women
Convent
Unloved
Chic

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We are all tourists in history, and irony is what we win in wars.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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When friends stop being frank and useful to each other, the whole world loses some of its radiance.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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Rome was a poem pressed into service as a city.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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