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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
Anatole Broyard
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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
People
Vision
Seeing
Makes
Art
Form
Intimately
Play
Offensive
Real
Personally
Something
Stage
More quotes by Anatole Broyard
The moment a book is lent I begin to miss it.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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Sometimes it seems that we might have been happier if we had once had an aristocracy to blame everything on.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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Paranoids are the only ones who notice things anymore.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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We are all tourists in history, and irony is what we win in wars.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Rome was a poem pressed into service as a city.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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We don't simply read books. We become them.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
Anatole Broyard