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For years they have been using the role of 'sex object' as a cover while they spied out the land.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Years
Object
Using
Sex
Role
Objects
Roles
Land
Spied
Women
Cover

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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have to talk about each other's work.
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The moment a book is lent I begin to miss it.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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When friends stop being frank and useful to each other, the whole world loses some of its radiance.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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Sometimes it seems that we might have been happier if we had once had an aristocracy to blame everything on.
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Paranoids are the only ones who notice things anymore.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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