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For years they have been using the role of 'sex object' as a cover while they spied out the land.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Roles
Spied
Land
Cover
Women
Object
Years
Using
Sex
Role
Objects

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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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We don't simply read books. We become them.
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People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have to talk about each other's work.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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We are all tourists in history, and irony is what we win in wars.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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When friends stop being frank and useful to each other, the whole world loses some of its radiance.
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Sometimes it seems that we might have been happier if we had once had an aristocracy to blame everything on.
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