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For years they have been using the role of 'sex object' as a cover while they spied out the land.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Years
Object
Using
Sex
Role
Objects
Roles
Land
Spied
Women
Cover

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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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Paranoids are the only ones who notice things anymore.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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We are all tourists in history, and irony is what we win in wars.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Chic is a convent for unloved women.
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People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have to talk about each other's work.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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Rome was a poem pressed into service as a city.
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When friends stop being frank and useful to each other, the whole world loses some of its radiance.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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The moment a book is lent I begin to miss it.
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