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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
Anatole Broyard
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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Reading
Reads
Turns
Cling
Night
Stands
Book
Page
Even
Lovers
Like
Tend
Pages
Turn
Reluctant
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We are all tourists in history, and irony is what we win in wars.
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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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The moment a book is lent I begin to miss it.
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Paranoids are the only ones who notice things anymore.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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Rome was a poem pressed into service as a city.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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