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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
Anatole Broyard
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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Makes
Life
Cannot
Human
Humans
Interminable
Self
Instances
Tension
Many
Instance
Feel
Debate
Feels
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Chic is a convent for unloved women.
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Rome was a poem pressed into service as a city.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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We don't simply read books. We become them.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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