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I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Book
Feel
Wedlock
Feels
Lending
Way
Daughters
Men
Fathers
Daughter
Living
Father

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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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Chic is a convent for unloved women.
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Paranoids are the only ones who notice things anymore.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have to talk about each other's work.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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Sometimes it seems that we might have been happier if we had once had an aristocracy to blame everything on.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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We are all tourists in history, and irony is what we win in wars.
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When friends stop being frank and useful to each other, the whole world loses some of its radiance.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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