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The moment a book is lent I begin to miss it.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Moments
Book
Lent
Miss
Begin
Missing
Moment

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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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Paranoids are the only ones who notice things anymore.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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