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Paranoids are the only ones who notice things anymore.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Things
Notice
Anymore
Ones

More quotes by Anatole Broyard

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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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We are all tourists in history, and irony is what we win in wars.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Chic is a convent for unloved women.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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In novels, I said, people are transfigured by love. They’re elevated, made different, lifted out of their ordinariness…It’s not so much to ask, I said. I just want love to live up to its publicity.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
Anatole Broyard
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The moment a book is lent I begin to miss it.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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