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When friends stop being frank and useful to each other, the whole world loses some of its radiance.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Loses
Stop
Friends
Whole
Radiance
World
Frank
Useful
Friendship
Advice

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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Rome was a poem pressed into service as a city.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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The moment a book is lent I begin to miss it.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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The contents of someone's bookcase are part of his history, like an ancestral portrait.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form.
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