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Two people making love, she once said, are like one drowned person resuscitating the other.

Anatole Broyard

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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Making
Two
Persons
Person
Love
Like
People
Drowned

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For years they have been using the role of 'sex object' as a cover while they spied out the land.
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The moment a book is lent I begin to miss it.
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Paranoids are the only ones who notice things anymore.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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The first divorce in the world may have been a tragedy, but the hundred-millionth is not necessarily one.
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We are all tourists in history, and irony is what we win in wars.
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An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.
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I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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Rome was a poem pressed into service as a city.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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A book is meant not only to be read, but to haunt you, to importune you like a lover or a parent, to be in your teeth like a piece of gristle.
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We don't simply read books. We become them.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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Chic is a convent for unloved women.
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