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There was a time when we expected nothing of our children but obedience, as opposed to the present, when we expect everything of them but obedience.
Anatole Broyard
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Anatole Broyard
Age: 70 †
Born: 1920
Born: July 16
Died: 1990
Died: October 11
Author
Journalist
Literary Critic
Writer
New Orleans
Louisiana
Time
Obedience
Expected
Expect
Relationship
Present
Everything
Nothing
Children
Opposed
More quotes by Anatole Broyard
It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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There are few things more subtly distressing than an inappropriate gift from someone close to you.
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To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility of misunderstanding.
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If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times.
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Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with where you live. There is in men, as Peter Quennell said, a centrifugal tendency. In our wanderlust, we are lovers looking for consummation.
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Two people making love, she once said, are like one drowned person resuscitating the other.
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Aphorisms are bad for novels. They stick in the reader's teeth.
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The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night stands or reads for them.
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A whole generation of writers dined out on the dialectic between original cultures and their culture by progress.
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Sometimes it seems that we might have been happier if we had once had an aristocracy to blame everything on.
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People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have to talk about each other's work.
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We are all tourists in history, and irony is what we win in wars.
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The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.
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Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
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Rome was a poem pressed into service as a city.
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The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an interminable debate with one's self.
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A bookcase is as good as a view, as much of a panorama as the sight of a city or a river. There are dawns and sunsets in books - storms and zephyrs.
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Either a writer doesn't want to talk about his work, or he talks about it more than you want.
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In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives.
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We don't simply read books. We become them.
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