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The child who is uprooted begins to recognize that what he builds within himself is what will endure, what will withstand shattering experiences.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Children
Shattering
Builds
Begins
Experiences
Endure
Recognize
Child
Uprooted
Within
Withstand

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The violence and obscenity are left unadulterated, as manifestation of the mystery and pain which ever accompanies the act of creation.
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Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds it dies of weariness, of witherings, of tarnishings.
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They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.
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And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
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I prefer empty cages, Sabina, until I find a unique bird I once saw in my dreams.
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We have been poisoned by fairy tales.
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I was thinking of my patients, and how the worst moment for them was when they discovered they were masters of their own fate. It was not a matter of bad or good luck. When they could no longer blame fate, they were in despair.
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To lie, of course, is to engender insanity.
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I'm sick of my own romanticism!
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Life is a full circle, widening until it joins the circle motions of the infinite.
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A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion.
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People who want a sane, static, measurable world take the first aspect of an event or person and stick to it, with an almost self-protective obstinacy, or by a natural limitation of their imaginations. They do not indulge in either deepening or magnifying.
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I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
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At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, Anaïs - Anaïs - Anaïs. You just say Anna and then add ees, with the accent on the ees.
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If one's conscious life is too rigid, too regimented, then the surface may crack at times, and we are unprepared for the strange emotions or sensations we experience.
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I have no brakes on...analysis is for those who are paralyzed by life.
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I seek the real stuff of life. Profound drama.
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We don't see things as they are, we see them as we ... believe me naïve or innocent, who has the courage to treat me like a woman.
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The basis of insincerity is the idealized image we hold of ourselves and wish to impose on others.
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One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.
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