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New York seems conducted by jazz, animated by it. It is essentially a city of rhythm.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
York
City
Cities
Seems
Conducted
Animated
Essentially
Rhythm
Jazz

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What is love but acceptance of the other, whatever he is.
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Perfection is static, And I am in full progress.
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The impetus to grow and live intensely is so powerful in me I cannot resist it. I will work, I will love my husband, but I will fulfill myself.
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I prefer by far the warmth and softness to mere brilliancy and coldness. Some people remind me of sharp dazzling diamonds. Valuable but lifeless and loveless. Others, of the simplest field flowers, with hearts full of dew and with all the tints of celestial beauty reflected in their modest petals.
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The shell is America's most active contribution to the formation of character. A tough hide. Grow it early.
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When I stand at the top of the Champs-Elysées, with its chestnut trees in flower, its undulations of shining cars, its white spaciousness, I feel as if I were biting into a utopian fruit, something velvety and lustrous and rich and vivid.
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Nature forms us for ourselves, not for others to be, not to seem.
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We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another, unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made of layers, cells, constellations.
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The only abnormality is the incapacity to love.
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I want to fall in love in such a way that the mere sight of a man, even a block away from me, will shake and pierce me, will weaken me, and make me tremble and soften and melt.
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To write at the same temperature at which I live I should write nothing but poetry.
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He, who had done more than any human being to draw her out of the caves of her secret, folded life, now threw her down into deeper recesses of fear and doubt. The fall was greater than she had ever known, because she had ventured so far into emotion and had abandoned herself to it.
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Introspection is a devouring monster. You have to feed it with much material, much experience, many people, many places, many loves, many creations, and then it ceases feeding on you.
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There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic.
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To change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally one should not continue to live with the same objects. They reflect one's mind and psyche of yesterday. I throw away what has no dynamic, living use.
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Mature people relate to each other without the need to merge.
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Every individual is representative of the whole . . . and should be intimately understood, and this would give a far greater understanding of mass movements and sociology.
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Guilt is the one burden human beings can't bear alone.
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I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ
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I'm restless. Things are calling me away. My hair is being pulled by the stars again. ANAÏS NIN, Fire: From A Journal of Love The Unexpurgated Diary of Anaïs Nin, 1934-1938 For me, the adventures of the mind, each inflection of thought, each movement, nuance, growth, discovery, is a source of exhilaration.
Anais Nin