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This image of herself as a not ordinary women, an image which was trembling now in his eyes, might suddenly disappear. Nothing more difficult to live up to than men's dreams.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Women
Suddenly
Live
Image
Might
Ordinary
Nothing
Dreams
Men
Eyes
Eye
Difficult
Trembling
Dream
Disappear

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The body is an instrument which only gives off music when it is used as a body.
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The poet is one who is able to keep the fresh vision of the child alive.
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A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion.
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I see enormous loves growing immense and finally crushing me.
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The secret of life was Breath. That was what I always wanted my words to do, to Breathe.
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Write. Write until it stops hurting.
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Those who cannot live fully often become destroyers of life.
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One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.
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she acquired the certainty of the expansion of time by depth of emotion, range and infinite multiplicity of experience.
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There are only two kinds of freedom in the world the freedom of the rich and powerful, and the freedom of the artist and the monk who renounces possessions.
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He had a mania for washing and disinfecting himself. . . . For him the only danger came from the microbes that attacked the body. He had not studied the microbe of conscience which eats into the soul.
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We don't see things as they are, we see them as we ... believe me naïve or innocent, who has the courage to treat me like a woman.
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Whenever you do something that is not aligned with the yearning or your soul—you create suffering.
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Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate. I hate murderously.
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I walk ahead of myself in perpetual expectancy of miracles.
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To change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally one should not continue to live with the same objects. They reflect one's mind and psyche of yesterday. I throw away what has no dynamic, living use.
Anais Nin
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For all of my patients sensuality is a giving in to 'the low side of their nature.' Puritanism is powerful and distorts their life with a total anesthesia of the senses. If you atrophy one sense, you also atrophy all the others, a sensuous and physical connection with nature, with art, with food, with other human beings.
Anais Nin
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Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.
Anais Nin
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Solitude may rust your words.
Anais Nin
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I can’t let you go now. I want to go places with you obscure little places, just to be able to say: here I came with her.
Anais Nin